The methodological premise of the investigation is the meta-difference between foreground and background as a necessary element of any difference, including the difference between conceptual and terminological types of analysis of philosophical texts. The topic of terminological analysis is the function of the terms that make up the framework of concepts, the methods and justifications for their introduction. The role of D.Hume, who was the first to draw attention to the difference in the meaning of the same word in natural (...) and philosophical languages, is noted. More general questions are formulated regarding the prerequisites of terminological analysis: what is a term, what experience underlies the very process of introducing terms, are terms a necessary building material of philosophical texts or a necessary evil? The prerequisites for terminological analysis include the differences between a term and a word, as well as a term and a metaphor. Husserl’s concept of noetic-noematic structures is considered in terms of the difference between conceptual and terminological dimensions. The research focuses on the functions of “sense” as an intermediary between natural language and philosophical terminology. The prerequisites for the introduction of the terms “noesis” and “noema” are identified; in the first case, this is the traditional scheme of hylomorphism, in the second, the postulate of the identity of what is perceived during normal and abnormal perception. A comparison is made between Husserl’s expression “sense does not burn” with M.Bulgakov’s aphorism “manuscripts do not burn.” Husserl’s division of two types of consciousness (positional and neutral or shadow) reveals the incorrectness of Husserl’s description of the difference between the foreground and background of perception. Husserl’s description of “neutralization” is subjected to critical analysis using the example of the perception of Durer’s engraving. The final section of the article examines attempts to correlate the meaning of the word “sense” with experience, compares the role of the terms “sense” and “concept,” and also analyzes Husserl’s “generalization of the idea of meaning,” or expansion of the meaning of the term “sense.” Finally, a distinction is made between a methodology of separation, which corresponds to the boundary-setting function of terms, and a methodology of differentiation of differences, which implies the differentiating function of terms. (shrink)

This investigation addresses the internal experience as a spatial phenomenon. Ascertaining the difference between internal and external experience as a space metaphor leads to the question of the source of the space metaphors in principle. The analogy between time and space and the space metaphors in Husserl’s conception of time are considered. The question of the temporality of consciousness, evidence, and internal experience are brought to the fore by comparing Brentano’s and Husserl’s conceptions. The difference between the direct and indirect (...) modes of consciousness by Brentano, his conception of time as the boundary in the continuum, and his concept of the proteraesthesis proves to be relevant for the concept of internal experience as a spatial phenomenon. The essay calls in question the self-sufficiency of time-experience and the traditional correspondence of time to the internal experience and of space to the external one. The relation of the Here/There- and Now/Then-experience is discussed. I intend to elucidate the experience of boundary as a primary internal experience from which the space-experience arises. In its turn the boundary-consciousness has its origin in the differentiation-experience. In the latter there is no time, the internal one included, but there is a boundary-experience as a primary and indirect experience. Time is s shadow of space; it originates from the manifold of human spaces.Esta investigación aborda la experiencia interna como un fenómeno espacial. Determinar la diferencia entre la experiencia interna y externa como una metáfora del espacio conduce a la cuestión de la fuente de las, en principio, metáforas espaciales. Aquí se atiende la analogía entre el tiempo y el espacio y las metáforas espaciales en la concepción del tiempo de Husserl. Se ponen de relieve la cuestión de la temporalidad de la conciencia, la evidencia y la experiencia interna, comparando las concepciones de Brentano y Husserl. La diferencia entre los modos de conciencia directos e indirectos de Brentano, su concepción del tiempo como el límite en el continuo, y su concepto de la proteroestesis, son relevantes para el concepto de experiencia interna como un fenómeno espacial. El ensayo cuestiona la autosuficiencia de la experiencia del tiempo y la correspondencia tradicional del tiempo con la experiencia interna y del espacio con la externa. Se discute la relación de la experiencia Aquí/Ahí y de la experiencia Ahora/Luego. Mi in-tención es esclarecer la experiencia de la frontera como una experiencia interna primaria de la cual surge la experiencia espacial. A su vez, la con-ciencia de frontera tiene su origen en la experiencia de diferenciación. En esta último no hay tiempo —incluso el interno—, pero hay una experiencia límite como experiencia primaria e indi-recta. El tiempo es la sombra del espacio; se origina en la multiplicidad de espacios humanos.. (shrink)

A phenomenological analysis of subjectivism requires the study of subjectivity. This is the study of the form of being, or the modification of subjectivity, which establishes and reproduces subjectivism. The question is what is this form, and what understanding of the primary experience of consciousness, what understanding of self-awareness is contained in this form.

This article discusses Husserl’s “epoche” and “phenomenological reduction” and early Heidegger’s “fear” and “anxiety” from a conceptual and terminological point of view. The basis for comparing “epoche” and “fear” is their main function of neutralizing the world. The author also considers the way of correlating the epoche and anxiety as philosophical concepts with three types of realizable experience that served as their source. The main points and stages of the introduction of the term “epoche” are highlighted; the main functional differences (...) between the terms “epoche” and “phenomenological reduction” in various works of Husserl are indicated. A number of Husserl’s attempts to transform the methodological principles put forward by him into a description of a special experience of detachment, accessible through moral efforts, courage and honesty, are considered. In this regard, the transformation of Cartesian doubt into the procedure of “epoche” through the artificial procedure of “attempt at doubt” is analyzed. Three types of restrictions on the universality of the epoche are distinguished. Terminological and meaningful relationships between neutralization as a mode of consciousness and the epoche are considered. Two main differences are revealed, with the help of which Husserl tries to transform principles into experience: the difference between positional and neutral consciousness and the difference between an epoche and a quasi-epoche. Husserl’s interpretation of the epoche and reduction as a special experience has two main sources: first, the experience of the imagination, or fantasy, and in this sense the source of the epoche is the quasi-epoche, and not vice versa. Secondly, the postulate of the identity of sensation from the real and illusory object. Heidegger’s distinction between fear and anxiety is critically analyzed. The author comes to the conclusion that a common source of the phenomena of anxiety, fear, horror, fright, and so on consists in the collision and mutual penetration of various human worlds. It is impossible to distance oneself from this diversity; further, it is the true source of philosophical reflection. (shrink)

This article describes the fight of transnational civic networks to influence business development strategies and counter the threats to environmental and labor rights posed by the construction and exploitation of the Baku-Tbilisi-Ceyhan (BTC) oil pipeline in Transcaucasia. The article starts by discussing the role of civil society in the global struggle for sustainable development. Then a brief overview of the geopolitical significance of the Transcaucasian-Caspian region in today’s oil and gas markets is presented. The case study looks at how the (...) actions of international and domestic nongovernmental organizations influenced the BTC’s main shareholder and operator company, British Petroleum, as well as host countries’ governments, to switch to more environmentally cognizant and socially responsive practices. The article discusses internationalization of civil society networks in response to the looming environmental crisis in the region, using the BTC case as an illustration. The article concludes by generalizing from this particular case study to the broader issue of transnational civic activism as a risk-mitigating factor in the world dominated by industry-related threats presented by globalization of the extractive technologies. (shrink)

The article examines space as a hierarchy of differences and as a basic phenomenon of the world, while calling into question the existence of time as a natural process and basis for human experience. It analyses the functionality of time in connection with various types of individual spaces and reveals the correlativity of space and consciousness.

In the theses published in Voprosy filosofii there is, in my view, one very important question: What changes have occurred in the relations between art and science? Inasmuch as I am a scholar of foreign cultures, permit me to express that question a bit more concretely for myself: What changes have occurred in the West in the interactions between art and science? The question is rather complex, for in responding to it one must always take into consideration the factor of (...) "compression of time" during the RST. Not only scientific discoveries and industrial equipment have begun to obsolesce rapidly but also the notion of the role of science in the social and cultural development of society. Regrettably, the authors of some works published in our country, even in the 1970s, analyzing the relationship between science and art that has come into being in the West, ignore this circumstance. The "ancient" debate between Snow and Leavis, now almost fifteen years in the past, is presented as the most recent stirring in contemporary bourgeois culture. Yet even at that time it was clear that these discussions were to no point and would not lead to a constructive solution of the conflict between the "two cultures": the contradictions had gone entirely too far. Even then the English poet Auden granted that when he encountered scientists he felt like a "shabby scribe who had accidentally entered a drawing room bulging with dukes." This was not any rank-and-file "lyricist," but the famous Auden himself'. (shrink)

In the resolution of the Central Committee of the CPSU entitled "On the Periodical Kommunist," the study of the dialectics of the forces and relations of production is assigned to the sphere of economics. It is no accident that the question is posed in this way. Today, under conditions of restructuring, a concrete analysis of the economic connections, contradictions, and interactions of socialist society and of the real forms of manifestation of economic relations is more important than ever. The [current] (...) criticism of erroneous views, widespread in their time, about the exceptional character of the economic system of socialism that made it possible to "constitute" productive relations through the "creative force of the economic plan," is especially timely and substantive. However, a more general sociophilosophical study of the dialectics of the forces and relations of production is also necessary. Lenin's words have never lost their vital force: we cannot take up "particular questions without first solving the general question. …"' It is from these general sociophilosophical positions that we shall be examining some aspects of this topic that we think important. (shrink)

The subject of this research is the period of Russian symphonic music of the 1960s. A new generation of composers – the “Sixtiers” – introduced a fresh modern musical language and remarkable artistic achievements. In first part of the article, the author dwell on several fundamental symphonic works by R. Shchedrin, S. Slonimsky, E. Denisov, Y. Falik, N. Karetnikov, as well gives general characteristics to this period. The second part of the article examines the compositions by A. Schnittke and L. (...) Prigozhin. Special attention is turned to the Symphony No.3 by Boris Tishchenko, who opens new stylistic horizons and encompasses the key trends of modern music, including the avant-garde, into his stylistic orbit. This article is first to consider B. Tishchenko's outstanding Symphony No.3 in the context of stylistic and linguistic innovations of the 1960s, which defines the scientific novelty. Analysis is conducted on the role and place of the youngest composer of the “Sixtiers” B. Tishchenko in the struggle for the “new music”. The conclusion is made that Tishchenko was one of the leaders in revival of the Russian music of the late XX century, and his Symphony No.3 reflects the pursuits of the postwar generation of Soviet composers to the fullest. (shrink)

The subject of the study is the period of Russian symphonic music of the 1960s. A new generation of "sixties" composers has entered the Soviet music scene, imperiously declaring themselves with bright creative achievements, fresh and modern musical language. The epoch of the turning point dictated a new reality, required new artistic thinking, generated diverse creative ideas. The panorama of Russian music was quite colorful, many things in art appeared and disappeared very rapidly, stylistic pluralism, lost at the dawn of (...) Soviet power, returned to the music scene. Special attention is paid to the works of composers of the Leningrad school — S. Slonimsky, Y. Falik, L. Prigozhin and V. Gavrilin. All of them opened new stylistic horizons and absorbed into their sound orbit the main trends of modern music, including the conquests of the Western avant-garde.  The scientific novelty of the work consists in the fact that the author examines the bright and original works of young Leningrad authors in the context of stylistic and linguistic innovations of the 1960s. The article analyzes the role and place of "Sixties" composers in the struggle for "new music". The main conclusion of the article is the idea that the period of musical renewal of the 1960s under consideration turned out to be extremely saturated with the most complex and diverse problems: ideological, general aesthetic, musical style. S. Slonimsky, Y. Falik, L. Prigozhin, V. Gavrilin became undisputed leaders in the renewal of Russian music of the second half of the twentieth century, and their works-"symbols" fully reflected the intense search of the post-war generation of Soviet composers. (shrink)

Iurii Kovalenko.Orthodox theological understanding of church-state relations in Ukraine at the time of development of Media and Information Technology. The author, who for many years was the press-secretary to the Primate of the Ukrainian Orthodox Church, considers continuity UOC position on the principles of church-state relations and their genesis in accordance with the socio-political processes taking place in Ukraine, the development of media and information technology.

The article examines the interpretation of the teaching of Wilhelm von Humboldt on language by Gustav Shpet together with Shpet’s perception of the influence of Kant’s philosophy on Humboldt. Special emphasis is laid on terminological analysis, the underlying thesis of this analysis being that words, terms and concepts are not the same thing: one and the same word or word combination can denote different terms, and the concept is a term in each particular doctrine. The object of critical analysis is (...) the function of Humboldt’s term “inner form of language” and the way this term was transformed, according to Shpet, into “the concept of inner form” over time by various thinkers — Plato, Plotinus, Goethe, Humboldt and others. The difference is analysed between the terms which Humboldt, Shpet and Kant denoted by the same word “concept”. Shpet’s position on the issue of Kant’s influence on Humboldt is analysed, notably in terms of the “schematism of the pure concepts of understanding”. Steinthal’s opinion on this issue allows us to raise the hermeneutic question of what kind of Kant a particular researcher is dealing with at a particular time — from the beginning of the nineteenth century until our days. The author notes the peremptory character of some of Shpet’s claims as well as his description of Kant’s influence on Humboldt as suggestion. The author also considers Shpet’s critique of subjectivism, which robs subjectivism of creativity and confines it to the capacity to convey what has been understood and to err. Finally, Shpet’s methodology (the question of identity and difference) and the role of terminology in his own works is considered. The positing of identity as the starting point of method accords with Shpet’s conviction that terms have meaning and explanatory power. Contrary to Shpet, it is difference that is the initial experience and the key term in phenomenological and post-phenomenological philosophy. (shrink)

In recent years there has been rather extensive discussion in the physics literature of the possibility of transmission of material effects at speeds exceeding that of light.

The subject of this research is the period of Soviet music in the 1960s. A new generation of the composers – the “Sixtiers” – came upon the stage, demonstrating remarkable artistic achievements, fresh and modern musical language. This article is dedicated to the symphonic work of the prominent Russian composer of the late XX century Boris Ivanovich Tishchenko. Particular attention is given to the Symphony No.1, which he created at the age of 22. Tishchenko burst into the Soviet musical space (...) with creative fervor, and asserted himself as a tremendous and unique talent. His extemporaneous music pieces kept pace with the time, in unison with the global changes that took place in Russian symphonism. The scientific novelty lies in consideration of B. Tishchenko’s Symphony No.1 in context of stylistic and linguistic innovations of the 1960s. Detailed analysis is conducted on the role and place of Tishchenko — the youngest of the generation of “Sixtiers” – in the struggle for "new music". The main conclusion lies in the thought that Tishchenko was one of the leaders in the renewal of Russian music in the late XX century, and Symphony No.1 of his early period fully reflected the intense pursuits of the post-war generation of the Soviet composers and opened the path towards the "new shores" in symphonic music of that time. (shrink)

In this research, author analyzes and interprets data of sociological researches of the Razumkov Centre concerning the religious self-identification of Ukrainian citizens, their attitude towards the Church in general and towards the denominations and religions presented in Ukraine in the dynamics from the year 2000 to nowadays. The author also considers external and internal outlook trends and shows a dangerous contradiction between them. As an alternative to solve this conflict, the author suggests the idea of Open Orthodoxy and presents an (...) example of its implementation in projects of the Open Orthodox University of Saint Sophia the Wisdom. (shrink)

The starting point of the investigation is the correspondence between the term and concept of Ego ("I") and the various types of experience. Two main ways of introducing and applying of the term "I" (Ego) in Russian philosophy are investigated from the semantic-analytical point of view. The first takes the Ego as initially existed either as a spiritual substance or a given form uniting experiences. This way of treating is realized in L. Lopatin's and V. Soloviev's philosophical teachings. The second (...) containing some moments of reflexion on the concept treated the Ego as a result of experience. It was developed in M. Karinskij und G. Spet. In context of difference between the Ego and the subject or consciousness the question of the owner of consciousness is considered. (shrink)

The article presents the results of a study aimed at forming a general model of sprinter strength training, taking into account modern trends and scientific achievements, presented in the form of technology and combined techniques aimed at developing the physical quality under study. The general model was based on an approach based on the concentration of a given focus at specific stages of sports training, which determined the requirements for the distribution of the volume of training load while maintaining the (...) optimal integration into a holistic system that takes into account the qualifications of athletes. According to the results of the pedagogical experiment analysis, interpretation, and statistical processing of the obtained data, it was concluded about the importance of strength training sprinters in the system of sports training of athletes specializing in short distances, as well as the positive impact of the structural-functional model of strength training, which indicates the possibility of its application in modern practice, the coaches. (shrink)